Exhibition

Beatriz Milhazes

Nomadic Paintings

Sep 25 to Mar 15

Opening hours: Tuesday to Sunday,
from 12 AM to 6 PM
*Admission until 5:15 PM

R. Cosme Velho, 1105
Rio de Janeiro, RJ

Exhibition

Beatriz Milhazes

Nomadic Paintings

Sep 25 to Mar 15

Opening hours: Tuesday to Sunday,
from 12 AM to 6 PM
*Admission until 5:15 PM

R. Cosme Velho, 1105
Rio de Janeiro, RJ

Beatriz Milhazes
Corumbê, 2025

Corumbê

Nomadic Paintings

Nomadic Paintings features 17 projects celebrating 21 years of Beatriz Milhazes’s pictorial installations in architectural spaces.

In the initial conversations with the artist, the term “nomadic mural” came to mind — used by Le Corbusier to describe his large-scale tapestries, considered by the French architect as a solution to the lack of mobility of panels installed permanently in buildings.

The author of Modulor saw tapestries as the “murals of the modern era” since, as mobile components, they could be rolled up and used in other places. He classified them as another path, situated between art and design, painting and sculpture, particularly suited to dialogue with architecture.

Painting — the field in which Beatriz works with mastery — is two-dimensional and starts from a blank canvas. In her site-specific works, pictorial concerns are combined with three-dimensional factors, which she needs to deal with. The logic relating the spatial organization of artworks to the particular aspects of a specific architecture — once seemingly distant fields — became part of the expanded territory of her work. In her interactions with architecture, she has a more limited choice of colors, confined to the industrial tones available in catalogs of vinyl sheets or, in the case of ceramics, to the hues compatible with the kiln-firing process.

By working with architecture she expanded her audience beyond gallery and museum visitors, as most of these architectural works were executed in public spaces in cities. Six are permanent: the installation at A-Art House in Inujima, Japan; in the United States, the two ceramic compositions at New York Presbyterian Hospital; the mural at Grace Farms in Connecticut; and the two lobby murals of a condominium in Miami. By presenting the 17 projects and their respective documentation, “Pinturas Nômades” grants to all of them the permanence they deserve, while making them known to a broader public.

Lauro Cavalcanti
Curator

Obras expostas

Previous exhibitions

O Globo 100 years

O Globo 100 years

Casa Roberto Marinho

Rio de Janeiro - JUL 11 TO AUG 10 2025

Between Gazes

Between Gazes

Casa Roberto Marinho

Rio de Janeiro - APR 24 TO JUN 22 2025

Trusteeship: Elizabeth Jobim

Elizabeth Jobim

Elizabeth Jobim

Casa Roberto Marinho

Rio de Janeiro - APR 24 TO AUG 10 2025

Trusteeship: Paulo Venancio Filho

Ascânio MMM

Ascânio MMM

Casa Roberto Marinho

Rio de Janeiro - DEC 14 TO MAR 30 2025

Trusteeship: Lauro Cavalcanti

Landscape and Memory

Landscape and Memory

Casa Roberto Marinho

Rio de Janeiro - AUG 15 TO NOV 17 2024

Trusteeship: Cristina Canale

Cristina Canale

Cristina Canale

Casa Roberto Marinho

Rio de Janeiro - AUG 15 TO NOV 17 2024

Trusteeship: Pollyana Quintella

Rio: Desire of a City

Rio: Desire of a City

Casa Roberto Marinho

Rio de Janeiro - MAY 11 TO JUL 21 2024

Trusteeship: Lauro Cavalcanti, Marcia Mello e Victor Burton

Conversations Between Collections

Conversations Between Collections

Casa Roberto Marinho

Rio de Janeiro - DEC 15 TO MAR 24 2024